{"id":66,"date":"2023-12-30T17:34:08","date_gmt":"2023-12-30T17:34:08","guid":{"rendered":"https:\/\/aielcef.ca\/?p=66"},"modified":"2025-05-13T16:41:02","modified_gmt":"2025-05-13T16:41:02","slug":"activites-des-membres","status":"publish","type":"post","link":"https:\/\/aielcef.ca\/index.php\/2023\/12\/30\/activites-des-membres\/","title":{"rendered":"Activit\u00e9s des membres"},"content":{"rendered":"\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>A\u00efssatou Abdoulahi<\/summary>\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-42fb12b1-d396-402c-96d2-884fec35b656\" class=\"wp-block-list\">\n<li><a href=\"https:\/\/web.archive.org\/web\/20230325233237\/https:\/\/classiques-garnier.com\/africana-figures-de-femmes-et-formes-de-pouvoir.html\">\u00abL\u2019\u0152uvre de Dja\u00efli Amadou Amal Un miroir de la condition de la femme au Nord-Cameroun\u00bb<\/a>, dans <em><a href=\"https:\/\/classiques-garnier.com\/africana-figures-de-femmes-et-formes-de-pouvoir.html\">Africana. Figures de femmes et formes de pouvoir<\/a><\/em>, Christine Le Quellec Cottier et Val\u00e9rie Cossy (dir.), Paris, Classiques Garnier, coll. \u00abRencontres\u00bb, no 539, 2022, p.473-487.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Yvette Marie-Edm\u00e9e Abouga<\/summary>\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-78224d4b-8806-459a-b9ad-b8c6b54af23e\" class=\"wp-block-list\">\n<li><a href=\"https:\/\/web.archive.org\/web\/20230325233237\/https:\/\/classiques-garnier.com\/africana-figures-de-femmes-et-formes-de-pouvoir.html\">\u00abDialogues des corps ou l\u2019\u00e9rotisme au f\u00e9minin Du mutisme \u00e0 la parole transgressive dans Volcaniques. Anthologie du plaisir de L\u00e9onora Miano\u00bb<\/a>, dans <em><a href=\"https:\/\/classiques-garnier.com\/africana-figures-de-femmes-et-formes-de-pouvoir.html\">Africana. Figures de femmes et formes de pouvoir<\/a><\/em>, Christine Le Quellec Cottier et Val\u00e9rie Cossy (dir.), Paris, Classiques Garnier, coll. \u00abRencontres\u00bb, no 539, 2022, p.21-38.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Alain Serge Agnessan<\/summary>\n<p><strong>Cr\u00e9ation<\/strong><\/p>\n\n\n\n<ul id=\"block-01733d98-745e-43f0-a192-8b7aee0d2cfc\" class=\"wp-block-list\">\n<li>Alain Serge Agnessan, <a href=\"https:\/\/poetesdebrousse.org\/catalogue\/carrefour-samake\/\"><em>Carrefour-Samak\u00e9<\/em> (Po\u00e8mes)<\/a>, Qu\u00e9bec, \u00c9ditions Po\u00e8tes de Brousse, 2018, 76 p.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Joseph Nyenty Ako<\/summary>\n<p><strong>Article r\u00e9cent<\/strong><\/p>\n\n\n\n<ul id=\"block-d0a0e14a-da5a-480e-8501-d9676ffbda22\" class=\"wp-block-list\">\n<li>\u00ab Le migrant clandestin subsaharien dans <em>Voyage entre ciel et terre<\/em> (Gr\u00e9goire Ngu\u00e9di), <em>Prisonnier malgr\u00e9 moi\u2026 r\u00e9cit d\u2019un migrant clandestin<\/em> (Flavien Anicet Bilongo) et <em>Ritournelle du d\u00e9sespoir, le calvaire des clandestins<\/em> (Dunny Fongang) \u00bb, dans Jean-Marcel Essiene, Solange Medio (dir.), <em>Contextes et \u00e9criture postcoloniale en francophonie : pratiques et enjeux<\/em>, Saint-Denis, Connaissances et Savoirs, 2020, p. 166-179.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Raymond Mbassi At\u00e9ba<\/summary>\n<p><strong>Monographie<\/strong><\/p>\n\n\n\n<ul id=\"block-552ec366-4d2a-4073-9963-fd289db00946\" class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/eac.ac\/books\/9782813003324\">H\u00e9g\u00e9monies et minorit\u00e9s litt\u00e9raires en Francophonie<\/a>, <\/em>Paris, \u00c9ditions des Archives contemporaines, 2019, 183 p.<\/li>\n<\/ul>\n\n\n\n<p><strong>Ouvrages collectifs<\/strong><\/p>\n\n\n\n<ul id=\"block-4502872f-e234-41ba-9cf6-0bc65a862f7b\" class=\"wp-block-list\">\n<li>Raymond Mbassi At\u00e9ba et G\u00e9rard-Marie Massina (dir.), <em>Sous le signe du signe ou l\u2019art d\u2019\u00eatre s\u00e9mioticien. M\u00e9langes en hommage au Professeur Barnab\u00e9 Mbala Ze<\/em>, Paris, \u00c9ditions des archives contemporaines, coll. \u00abRevue Mosa\u00efques\u00bb, 2022, <a href=\"https:\/\/eac.ac\/publications\/9782813004222\">ouvrage en libre acc\u00e8s<\/a>.<br>\ufeff<\/li>\n\n\n\n<li>Raymond Mbassi At\u00e9ba (dir.), <em><a href=\"https:\/\/www.karthala.com\/lettres-du-sud\/3439-francophonie-et-francophilie-litteraires.html\">Francophonie et francophilie litt\u00e9raires<\/a><\/em>, Paris, Karthala, coll. \u00abLettres du Sud\u00bb, 2022.<br>\ufeff<\/li>\n\n\n\n<li>Raymond Mbassi At\u00e9ba (dir.), <em><a href=\"https:\/\/www.karthala.com\/apprentissage\/3308-litteratures-et-enseignement-pratiques-francophones-et-francophiles-9782811117498.html\">Litt\u00e9rature et enseignement. Pratiques francophones et francophiles<\/a>, <\/em>Paris, Karthala, coll. \u00abApprentissages\u00bb, 2019.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Carole Atem<\/summary>\n<p><strong>Monographie<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>M\u00e9moires de M. L.C.D.R.<\/em>, par Courtilz de Sandras, \u00e9dition critique ; texte \u00e9tabli, annot\u00e9 et pr\u00e9fac\u00e9 par Carole Atem, Paris, \u00c9ditions Honor\u00e9 Champion, \u00abSources classiques\u00bb, 2018.<br><\/li>\n\n\n\n<li><em>Les M\u00e9moires apocryphes de Courtilz de Sandras<\/em>, Paris, Les \u00c9ditions du Panth\u00e9on, 2016.<br><\/li>\n\n\n\n<li><em>La Nature dans la Suite du roman de Merlin<\/em>, Paris, Les \u00c9ditions du Panth\u00e9on, 2016.<\/li>\n<\/ul>\n\n\n\n<p><strong>Ouvrage collectif<\/strong><br>\ufeff<\/p>\n\n\n\n<ul id=\"block-f88587d6-dae2-4620-8600-c4b0db9b3796\" class=\"wp-block-list\">\n<li>Florent Atem, Carole Atem, F\u00e9lix Atem, <em><a href=\"https:\/\/www.ebooks.education.pf\/etude-comparative-du-tahitien-du-francais-et-de-langlais\/\">\u00c9l\u00e9ments pour une \u00e9tude comparative du tahitien, du fran\u00e7ais et de l\u2019anglais<\/a><\/em>, pr\u00e9face de Claude Delmas, Papeete, Direction G\u00e9n\u00e9rale de l\u2019\u00c9ducation et des Enseignements\/Minist\u00e8re de l\u2019\u00c9ducation \u2013 Minist\u00e8re de la Culture de la Polyn\u00e9sie fran\u00e7aise, 2019.<\/li>\n<\/ul>\n\n\n\n<p><strong>Chapitre d&#8217;ouvrage<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00abLa figure du destinataire dans les pseudo-m\u00e9moires de Courtilz de Sandras: l\u2019exemple des M\u00e9moires de M. L.C.D.R.\u00bb, Annabelle Bolot, Coralie Bournonville, Marc Hersant, Catherine Ramond (\u00e9ds.), <em>Figures et fonctions du destinataire dans les M\u00e9moires et les romans-M\u00e9moires de l\u2019\u00e9poque classique. R\u00e9cit et v\u00e9rit\u00e9 \u00e0 l\u2019\u00e9poque classique<\/em> (IV), Leuven \u2013 Paris \u2013Bristol, CT, Peeters Publishers, \u00ab La R\u00e9publique des Lettres \u00bb, 70, 2021, pp. 297-311.<br><\/li>\n\n\n\n<li>\u00abAdoption \u2013 <em>Fa\u2019a\u2019amu<\/em>\u00bb, <em>Les us et coutumes m\u0101\u2019ohi en quelques mots<\/em>, dir. Antoine Leca et V\u0101hi Sylvia Tuheiava-Richaud, Mahina, \u00c9ditions Parau, 2019, pp. 13-14.<br><\/li>\n\n\n\n<li>\u00abCourtilz de Sandras entre ombre et lumi\u00e8re ou le paradoxe d\u2019un \u00e9crivain du si\u00e8cle classique\u00bb, Introduction \u00e0 Courtilz de Sandras, <em>M\u00e9moires de M. L.C.D.R.<\/em>, \u00e9dition critique de Carole Atem, Paris, \u00c9ditions Honor\u00e9 Champion, \u00abSources classiques\u00bb, 2018, pp. 7-23.<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-3aeac60b-9dc1-4473-bdbf-70806c2e0614\" class=\"wp-block-list\">\n<li>\u00abL\u2019\u00e9pid\u00e9mie de peste comme motif du r\u00e9cit de guerre dans les M\u00e9moires apocryphes de d\u2019Artagnan par Courtilz de Sandras : du topos narratif au symbole satirique\u00bb, <em>Confluences oc\u00e9anes. L\u2019\u00e9pid\u00e9mie dans la litt\u00e9rature et les arts<\/em>, Papeete, T\u0101parau, n\u00b0 1\/avril 2022, pp. 18-27.<\/li>\n<\/ul>\n\n\n\n<p><strong>Cr\u00e9ation litt\u00e9raire <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab\u00c9tranget\u00e9s et solitudes (n\u00b0 5)\u00bb, <em>Transitions<\/em>, dir. H\u00e9l\u00e8ne Merlin-Kajman\/Lise Forment, rubrique \u00abFragments\u00bb\/\u00abSablier\u00bb, Paris, 12 avril 2020.<br><\/li>\n\n\n\n<li><a href=\"https:\/\/mouvement-transitions.fr\/index.php\/exergues\/sablier\/sommaire-du-sablier\/1862-sablier-n-5-5-gestes-c-atem\">\u00abGestes (n\u00b0 5)\u00bb<\/a>, <em>Transitions<\/em>, dir. H\u00e9l\u00e8ne Merlin-Kajman\/Lise Forment, rubrique \u00abFragments\u00bb\/\u00abSablier\u00bb, Paris, 4 mai 2020.<br><\/li>\n\n\n\n<li><a href=\"https:\/\/mouvement-transitions.fr\/index.php\/exergues\/sablier\/sommaire-du-sablier\/1888-sablier-n-9-1-le-masque-c-atem\">\u00abLe masque (n\u00b0 1)\u00bb<\/a>, <em>Transitions<\/em>, dir. H\u00e9l\u00e8ne Merlin-Kajman\/Lise Forment, rubrique \u00abFragments\u00bb\/\u00abSablier\u00bb, Paris, 6 juin 2020.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Kodjo Attikpo\u00e9<\/summary>\n<p><strong>Article r\u00e9cent<\/strong><\/p>\n\n\n\n<ul id=\"block-fe8cbbd9-f969-493e-a55c-883b196f0e00\" class=\"wp-block-list\">\n<li>\u00ab Le mal politique dans <em>La nuit de l\u2019Imoko<\/em> da Boubacar Boris Diop \u00bb, <em>Pr\u00e9sence Francophone<\/em>, n\u00b096-97, 2021, p. 159-172.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Anicet Bassilua <\/summary>\n<p><strong>Ouvrage collectif : <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Anicet Bassilua (dir.), <em>Les sch\u00e9mas \u00e9nonciatifs de la litt\u00e9rature africaine<\/em>, \u00e9ditions EME de Louvain-la-Neuve, Belgique, 2019. <\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Samira Belyazid<\/summary>\n<p><strong>Articles<\/strong><\/p>\n\n\n\n<ul id=\"block-f449c2d5-c13f-4187-822a-6b3f6ee351c9\" class=\"wp-block-list\">\n<li>Belyazid, S. (2024)&nbsp;:&nbsp;<em>Strat\u00e9gies de persuasion&nbsp;: le cas des campagnes \u00e9lectorales au Qu\u00e9bec et au Canada.&nbsp;<\/em>Revue tunisienne de communication. Institut de Presse et des sciences de l\u2019information, no71.&nbsp;<br><\/li>\n\n\n\n<li>Belyazid, S. (2025)&nbsp;:&nbsp;<em>Le Maroc : un pass\u00e9 glorieux, un pr\u00e9sent lumineux et un avenir radieux (traduit en chinois)&nbsp;<\/em>&nbsp;\u6469\u6d1b\u54e5\uff1a\u8f89\u714c\u7684\u8fc7\u53bb\uff0c\u5149\u660e\u7684\u73b0\u5728\uff0c\u707f\u70c2\u7684\u672a\u6765,&nbsp;Revue du Centre de recherche sur les Grands lacs d\u2019Afrique, YUEXIU, Shaoxing, Chine. <\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Hafidah Bencherif<\/summary>\n<p><strong>Co-direction de revue<\/strong><\/p>\n\n\n\n<ul id=\"block-f449c2d5-c13f-4187-822a-6b3f6ee351c9\" class=\"wp-block-list\">\n<li>Hafidah Bencherif, Amidou Sanogo, <em><a href=\"https:\/\/ir.lib.uwo.ca\/grelcef_proceedings\/1\">Dire et lire l\u2019\u00e9rotisme dans les productions culturelles francophones<\/a><\/em>. Actes de la journ\u00e9e d\u2019\u00e9tude du GRELCEF, Western University, le 17 novembre 2017, London, Western University, 2020<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Corina Crainic <\/summary>\n<p><strong>Monographie :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Martinique, Guadeloupe, Am\u00e9riques. Des Marrons, du gouffre et de la Relation<\/em>, Qu\u00e9bec, Presses de l\u2019Universit\u00e9 Laval, coll. \u00ab&nbsp;Am\u00e9ricana&nbsp;\u00bb, 2019.&nbsp;<\/li>\n<\/ul>\n\n\n\n<p><strong>Chapitre de livre :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Corina Crainic, \u00ab&nbsp;D\u00e9sir et Infini. De l&#8217;alt\u00e9rit\u00e9 chez Jean-Marie Gustave Le Cl\u00e9zio, Simone Schwarz-Bart, Ken Bugul et Antonine Maillet \u00bb,&nbsp;<em>Repenser l&#8217;Acadie dans le monde. \u00c9tudes compar\u00e9es, \u00e9tudes transnationales<\/em>, Clint Bruce, Gregory M. W. Kennedy (dir.), McGill-Queen&#8217;s University Press, Montr\u00e9al, Kingston, 2025, p. 505-522.<\/li>\n<\/ul>\n\n\n\n<p><strong>Direction de revue :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a style=\"font-style: italic;\" href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.erudit.org%2Ffr%2Frevues%2Ffa%2F1995-n5-fa05379%2F1070320ar%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ce54f93cd5ecd4b3386f808dc13910dee%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638406760928876029%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=N5xotEXGRAB8Pidreg6zmdEq1T59AQNcvCmwzwCedSU%3D&amp;reserved=0\" data-type=\"link\" data-id=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.erudit.org%2Ffr%2Frevues%2Ffa%2F1995-n5-fa05379%2F1070320ar%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ce54f93cd5ecd4b3386f808dc13910dee%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638406760928876029%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=N5xotEXGRAB8Pidreg6zmdEq1T59AQNcvCmwzwCedSU%3D&amp;reserved=0\">Entre solitudes, contraintes et aspirations&nbsp;: de l\u2019Acadie, des Cara\u00efbes et de la Louisiane<\/a>,&nbsp;<em>Francophonies d\u2019Am\u00e9rique<\/em>, n<sup>o<\/sup>&nbsp;49, printemps 2020.&nbsp;<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab Du rhizome \u00e0\u00a0<em>\u00c9vang\u00e9line<\/em>. Images d\u2019Acadie dans\u00a0<em>Les Foley<\/em>\u00a0d\u2019Annie-Claude Th\u00e9riault\u00a0\u00bb<strong>,<\/strong>\u00a0<em>Francophonies d\u2019Am\u00e9rique<\/em>, no\u00a0\u00a058, automne 2024, p. 51-66.<\/li>\n\n\n\n<li>\u00ab&nbsp;Trois degr\u00e9s du vertige.&nbsp;<em>Le baobab fou<\/em>&nbsp;de Ken Bugul,&nbsp;<em>La Br\u00fblerie<\/em>&nbsp;d\u2019\u00c9mile Ollivier et&nbsp;<em>Le chant de Salomon<\/em>&nbsp;de Toni Morrison \u00bb,&nbsp;Johanne Melan\u00e7on, Alain Doom et Thierry Bissonnette (dirs.),&nbsp;Moncton, \u00c9ditions Perce-Neige, coll. \u00ab&nbsp;Archipel-APLAQA&nbsp;\u00bb, 2021, p. 105-120.&nbsp;<\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.erudit.org%2Ffr%2Frevues%2Ffa%2F2020-n49-fa05379%2F1070323ar%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ce54f93cd5ecd4b3386f808dc13910dee%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638406760928876029%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=p7anEpf%2BgdERbfAYzvGDMV2pob8Gj%2Bv4nxYumRA%2Bjs8%3D&amp;reserved=0\" data-type=\"link\" data-id=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.erudit.org%2Ffr%2Frevues%2Ffa%2F2020-n49-fa05379%2F1070323ar%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ce54f93cd5ecd4b3386f808dc13910dee%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638406760928876029%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=p7anEpf%2BgdERbfAYzvGDMV2pob8Gj%2Bv4nxYumRA%2Bjs8%3D&amp;reserved=0\">D\u2019une conscience du d\u00e9sastre \u00e0 la po\u00e9tique du r\u00e9enchantement<\/a>.&nbsp;<em>Biblique des derniers gestes<\/em>,&nbsp;<em>\u00c9crire en pays domin\u00e9<\/em>,&nbsp;<em>Un dimanche au cachot<\/em>&nbsp;et&nbsp;<em>Les neuf consciences du Malfini<\/em>&nbsp;de Patrick Chamoiseau,&nbsp;<em>Entre solitudes, contraintes et aspirations&nbsp;: de l\u2019Acadie, des Cara\u00efbes et de la Louisiane<\/em>, Corina Crainic (dir.),&nbsp;<em>Francophonies d\u2019Am\u00e9rique<\/em>, n<sup>o<\/sup>&nbsp;49, printemps 2020, p. 57-85.&nbsp;<\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.erudit.org%2Ffr%2Frevues%2Fpa%2F2017-n32-pa05403%2F1070564ar%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ce54f93cd5ecd4b3386f808dc13910dee%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638406760928876029%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=ua7Xx2ydBmAubgvIWEGO%2Fs9tFOAfoJ1ivJnHwbJnpJU%3D&amp;reserved=0\" data-type=\"link\" data-id=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.erudit.org%2Ffr%2Frevues%2Fpa%2F2017-n32-pa05403%2F1070564ar%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ce54f93cd5ecd4b3386f808dc13910dee%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638406760928876029%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=ua7Xx2ydBmAubgvIWEGO%2Fs9tFOAfoJ1ivJnHwbJnpJU%3D&amp;reserved=0\">Territoires perdus, terres d\u2019\u00e9lection&nbsp;:&nbsp;<em>Omeros&nbsp;<\/em>de Derek Walcott,&nbsp;<em>Les Indes&nbsp;<\/em>d\u2019\u00c9douard Glissant,&nbsp;<em>P\u00e9lagie-la-Charrette<\/em>&nbsp;d\u2019Antonine Maillet<\/a> \u00bb,&nbsp;<em>Terrains et territoires<\/em>, Clint Bruce (dir.),&nbsp;<em>Port-Acadie<\/em>, n<sup>o<\/sup>&nbsp;32, printemps 2018 [publi\u00e9 \u00e0 l\u2019automne 2020], p. 37-57.&nbsp;<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Edoardo Cagnan<\/summary>\n<p><strong>Ouvrages Collectifs :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Claire Riffard et Edoardo Cagnan (dir),&nbsp;<em>Senghor : gen\u00e8se, h\u00e9ritage, actualit\u00e9<\/em>, dans&nbsp;<em>Continents manuscrits<\/em>, n\u00b023, 2024. <br>Dossier disponible en ligne sur ce lien : <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fjournals.openedition.org%2Fcoma%2F11359&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Cc3831d02dcd04614752a08dcf449e10b%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638653845592002401%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=mNmQEgrUni%2BjCtnAGRKXpQPx54MvxlcBjx71O%2FUQkHY%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/journals.openedition.org\/coma\/11359<\/a><\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Alioune Diaw<\/summary>\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/ojs.lib.uwo.ca\/index.php\/mf\/article\/view\/13338\" data-type=\"link\" data-id=\"https:\/\/ojs.lib.uwo.ca\/index.php\/mf\/article\/view\/13338\">\u00ab L\u2019\u00e9criture de la migration dans \u201cLa Pirogue de l\u2019espoir\u201d de l\u2019\u00e9crivain s\u00e9n\u00e9galais Abdoulaye Fod\u00e9 Ndione \u00bb,<\/a> <em>Mouvances Francophones<\/em>, vol. 6, n\u00b01, 2020.<br><\/li>\n\n\n\n<li>\u00ab Entre histoire et litt\u00e9rature : jeux et enjeux de l\u2019\u00e9criture du massacre de Thiaroye chez L\u00e9opold S\u00e9dar Senghor et Fod\u00e9ba Ke\u00efta \u00bb, dans <em>La litt\u00e9rature au prisme des sciences humaines, Hommage au Pr Radouane Acharfi<\/em>, Abdelghani El Himani et d\u2019Abdelmoun\u00efm (dir.), Paris, L\u2019Harmattan, coll. \u00ab Le Grand Maghreb \u00bb, 2020, p. 159- 178.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Cheikh Mouhamadou Soumoune Diop<\/summary>\n<p><strong>Direction et co-direction de revue <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cheikh Mouhamadou Soumoune Diop, <em>Interculturel Francophonies<\/em>, \u00ab Aminata Sow Fall, itin\u00e9raire d\u2019une pionni\u00e8re \u00bb, textes r\u00e9unis avec Alioune Diaw (UCAD), n\u00b027, Lecce, Alliance fran\u00e7aise, juin 2015<br><\/li>\n\n\n\n<li>Cheikh Mouhamadou Soumoune Diop, <em>Interculturel Francophonies<\/em>, \u00ab Ousmane Semb\u00e8ne, un militant au parcours artistique atypique \u00bb, n\u00b038, Lecce, Alliance Fran\u00e7aise, novembre-d\u00e9cembre 2020.<br><\/li>\n\n\n\n<li>Cheikh Mouhamadou Soumoune Diop, <em>Les Cahiers du CREILAC, Revue Interdisciplinaire des Lettres, Arts et Sciences Humaines<\/em>, \u00ab Langues, Litt\u00e9ratures, Arts et Cultures de terroirs \u00bb, n\u00b02, Gatineau, Les Presses panafricaines, 2020.<\/li>\n<\/ul>\n\n\n\n<p>Articles r\u00e9cents<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab Litt\u00e9rature nationale s\u00e9n\u00e9galaise et \u00e9criture de terroir : la Casamance, espace de souvenir et lieu de gestation litt\u00e9raire \u00bb, <em>Langues, Litt\u00e9ratures, Arts et Cultures de terroirs, Les Cahiers du CREILAC<\/em>, volume sp\u00e9cial, n\u00b02 (Actes du colloque de d\u00e9cembre 2018), Gatineau, Les Presses panafricaines, 2020, p.139-153.&nbsp;<br><\/li>\n\n\n\n<li>\u00ab La Casamance dans la fiction d\u2019Ousmane Semb\u00e8ne : du roman autobiographique au film historique \u00bb, <em>Interculturel Francophonies, Ousmane Semb\u00e8ne, un militant au parcours artistique atypique<\/em>, n\u00b038, Lecce, Alliance Fran\u00e7aise, novembre- d\u00e9cembre 2020, p.171-188.<br><\/li>\n\n\n\n<li>\u00ab Le roman wolof de Boubacar Boris Diop, un roman comme un autre \u00bb, <em>Les nouveaux chemins de la litt\u00e9rature<\/em>, Rennes, \u00c9ditions TIR, 2020, p. 63-79.<br><\/li>\n\n\n\n<li>Cheikh Mouhamadou Soumoune Diop, Ibrahima Mamour Ndiaye et Ndi\u00e9m\u00e9 Sow, \u00ab La situation du fran\u00e7ais au S\u00e9n\u00e9gal : histoire, \u00e9volution et perspectives didactiques \u00bb, <em>Interculturel Francophonies, Situation du fran\u00e7ais en Afrique subsaharienne aujourd\u2019hui: histoire et perspectives \/ Aspects de la civilisation fran\u00e7aise et francophone en classe de FLE, <\/em>n\u00b026 (Actes du colloque International de Rome, 8-9 novembre 2019), Lecce, Alliance Fran\u00e7aise, 2020, p. 53-74.<br><\/li>\n\n\n\n<li>\u00ab Quelle fiction pour l\u2019apr\u00e8s-Rwanda ? \u00bb, <em>Violences historiques : quelles repr\u00e9sentations de l\u2019Apr\u00e8s ? Regards crois\u00e9s sur les dimensions juridiques, litt\u00e9raires et psychiques de la r\u00e9paration<\/em>, Actes du colloque international <em>Repr\u00e9sentations de l\u2019Apr\u00e8s : le temps des r\u00e9parateurs ?<\/em>, Universit\u00e9 de Bourgogne, 5-6 avril 2017, Dijon, \u00c9ditions ABELL, 2020, p.107-126.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Mbaye Diouf<\/summary>\n<p><strong>Monographie<\/strong><\/p>\n\n\n\n<ul id=\"block-a389304c-e19c-4f10-a220-c5a20b39eb59\" class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.editions-harmattan.fr\/index.asp?navig=catalogue&amp;obj=livre&amp;no=42708\"><em>Roman f\u00e9minin contemporain. Figurations et discours<\/em>,<\/a> Paris, L\u2019Harmattan, coll. \u00ab Espaces litt\u00e9raires \u00bb, 2014, 334 p.&nbsp;<\/li>\n<\/ul>\n\n\n\n<p><strong>Ouvrage collectif<\/strong><\/p>\n\n\n\n<ul id=\"block-a389304c-e19c-4f10-a220-c5a20b39eb59\" class=\"wp-block-list\">\n<li>Fran\u00e7oise Naudillon et Mbaye Diouf (dir.), <em><a href=\"http:\/\/memoiredencrier.com\/spatialites-litteraires-et-filmiques-francophones-nouvelles-perspective\/\">Spatialit\u00e9s litt\u00e9raires et filmiques francophones : nouvelles perspectives<\/a><\/em>, Montr\u00e9al, M\u00e9moire d\u2019encrier, 2018, 232 p.<\/li>\n\n\n\n<li>Mbaye Diouf, \u00ab <em>Les superwoman du nouveau texte f\u00e9minin francophone <\/em>\u00bb, dans Sylvie Humbert-Mougin (dir.)&nbsp;<em>Figures mythiques f\u00e9minines \u00e0 l\u2019\u00e9poque contemporaine<\/em>, Paris, \u00c9ditions Kim\u00e9, 2024, pp.99-110.<br><\/li>\n<\/ul>\n\n\n\n<p><strong>Directions et co-directions de revue<\/strong><\/p>\n\n\n\n<ul id=\"block-35aa578b-7e93-4f03-b319-955d63bf2262\" class=\"wp-block-list\">\n<li>Mbaye Diouf (dir.), <em>Pr\u00e9sence Francophone<\/em>, \u00ab Les figurations spatiales francophones : essais g\u00e9ocritiques \u00bb, n\u00b088, automne 2017, 130 p.<\/li>\n\n\n\n<li>Mbaye Diouf (dir.), <em>Revue de l\u2019Universit\u00e9 de Moncton<\/em>, \u00ab S\u00e9miotiques du texte francophone migrant. Travers\u00e9es et langages \u00bb, vol. 47, n\u00b01, 2016, 155 p.<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mbaye Diouf, \u00ab D\u00e9sexualiser le texte f\u00e9minin francophone ? \u00bb, <em>Pr\u00e9sence Francophone<\/em>, n\u00b096-97, 2021, p.131-143.<\/li>\n\n\n\n<li>Mbaye Diouf et Edoardo Cagnan, \u00ab Ousmane Semb\u00e8ne : un paradoxe postcolonial du cin\u00e9ma africain ? \u00bb, <em>Pr\u00e9sence Francophone<\/em>, \u00ab Diffusion des cin\u00e9mas d\u2019Afrique et du Levant \u00bb, n\u00b095, p.139-151, 2020<\/li>\n\n\n\n<li>\u00ab <em>Les superwoman du nouveau texte f\u00e9minin francophone <\/em>\u00bb, dans Sylvie Humbert-Mougin (dir.)&nbsp;<em>Figures mythiques f\u00e9minines \u00e0 l\u2019\u00e9poque contemporaine<\/em>, Paris, \u00c9ditions Kim\u00e9, 2024, pp.99-110.<\/li>\n\n\n\n<li>Mbaye Diouf et Edoardo Cagnan (dir.),<em>&nbsp;Pr\u00e9sence Francophone<\/em>, n\u00b0100, 2023, \u00ab Langages et imaginaires d&#8217;Ousmane Semb\u00e8ne \u00bb.<\/li>\n\n\n\n<li>\u00ab Semb\u00e8ne Ousmane&nbsp;: une esth\u00e9tique du&nbsp;<em>diiso<\/em>&nbsp;\u00bb,&nbsp;<em>Pr\u00e9sence Francophone<\/em>, n\u00b0100, 2023, pp.157-169.<\/li>\n<\/ul>\n\n\n\n<p><strong>Communication<\/strong><\/p>\n\n\n\n<ul id=\"block-c25f95d8-53a0-44f0-8553-9da11e896df6\" class=\"wp-block-list\">\n<li>Mbaye Diouf, \u00ab Urbanit\u00e9s litt\u00e9raires des villes francophones anciennement colonis\u00e9es : approche g\u00e9ocritique \u00bb, Journ\u00e9e d\u2019\u00e9tude <em>Urbis et orbis : les m\u00e9tropoles francophones,<\/em>Department of French and Francophone Studies, Georgetown University, Washington, 28 f\u00e9vrier 2020.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Boronkoli Djan<\/summary>\n<p><strong>Cr\u00e9ation<\/strong><\/p>\n\n\n\n<ul id=\"block-f028e280-6214-429c-9afd-1259d8fcfd68\" class=\"wp-block-list\">\n<li><em>L\u2019Ancien<\/em>, Fredericton, Les \u00c9ditions du Channel, 2021, 149 p.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Edouard Djob li kana<\/summary>\n<p><strong>Ouvrages Collectifs<\/strong> :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.mollat.com%2FRecherche%2FAuteur%2F0-1540835%2Fhelge-vidar-holm&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ccc339afef6394fb05e4c08dcdbe8ab98%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638627039559013239%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=bG5zmZRK8g9YIfFDmgDga4Co6YHWT9f%2Bwk7nf4Gmq%2BM%3D&amp;reserved=0\">Helge&nbsp;Vidar Holm<\/a>,&nbsp;<a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.mollat.com%2FRecherche%2FAuteur%2F0-11908307%2Fedouard-christian-djob-li-kana&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ccc339afef6394fb05e4c08dcdbe8ab98%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638627039559042890%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=JzKmNyuj%2FGNqou6E2qa6E%2B4ykpfxgKOZnP1FDtZhnIM%3D&amp;reserved=0\">Edouard Christian Djob li Kana<\/a>&nbsp;Traductions dans le roman francophone : Pratiques et enjeux identitaires, Pygmies, 2024. <\/li>\n\n\n\n<li>R\u00e9sonances Vol. 2, Art et action. Auctorialit\u00e9 litt\u00e9raire, politique et culture de la c\u00e9l\u00e9brit\u00e9 Alain F. Ekorong (Auteur), Edouard Djob Li Kana (Auteur), Laurain Assipolo (Auteur), \u00c9ditions Pygmies.<\/li>\n<\/ul>\n\n\n\n<p><strong>Livres :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Odeurs et alt\u00e9rit\u00e9 dans la po\u00e9tique romanesque d&#8217;Ourania de JMG Le Clezio. In JMG Le Clezio, Couleurs et senteurs, Usages et significations, \u00c9ditions Complicit\u00e9s, Paris, 2022.<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents : <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Edouard Djob Li Kana, &#8220;Des identit\u00e9s tribales dans le roman post-colonial camerounais :&nbsp;essai d\u2019analyse sociocritique de &#8220;Les aubes \u00e9carlates&#8221; et &#8220;Les tribus de&nbsp;capitoline&#8221; in <em>Revue Africaine des dynamiques contemporaines <\/em>&#8211; 2024, RADYC PP-82-92 Volume : 01 | no 01&nbsp;<br><\/li>\n\n\n\n<li>Edouard Djob Li Kana,&nbsp;&#8220;T\u00e9moignage et m\u00e9moire dans Johnny chien m\u00e9chant (Emmanuel Dongala) et Les Sir\u00e8nes de Bagdad (Yasmina Khadra)<strong>&#8221; <\/strong><em>Mouvances francophones<\/em>, volume 9. No1 2024.&nbsp;DOI <strong>:&nbsp;<\/strong><a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fdoi.org%2F10.5206%2Fmf.v9i1.20550&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7Ccc339afef6394fb05e4c08dcdbe8ab98%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638627039559057169%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=MkwLq60061umuEbyk2LDcLP1mCiPvzWfziMFdKQGMBo%3D&amp;reserved=0\">https:\/\/doi.org\/10.5206\/mf.v9i1.20550<\/a><br><\/li>\n\n\n\n<li>Edouard Djob Li Kana,&nbsp;&#8220;Imaginaires linguistiques dans la fiction postcoloniale <br>francophone : entre revendications identitaires et ouvertures interculturelles&#8221; <em>Mouvances francophones<\/em>, Vol. 6 No. 2  (2021) : Francophonies canadiennes, h\u00e9ritages, &amp; questions de langues dans l\u2019\u00e9criture (post-)coloniale.&nbsp;<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Tess Do<\/summary>\n<p><strong>Monographie<\/strong><\/p>\n\n\n\n<ul id=\"block-79328951-76a7-41b9-8a1d-5e3b0f1a7f83\" class=\"wp-block-list\">\n<li>Tess Do et Kathryn Lay-Chenchabi, <em><a href=\"https:\/\/utsepress.lib.uts.edu.au\/site\/books\/m\/10.5130\/aai\/\">Jean Vanmai\u2019s Ch\u00e2n \u0110\u0103ng The Tonkinese of Caledonia in the colonial era<\/a><\/em>, Sydney, University of Technology Sydney ePress, 2022.<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents :<\/strong><\/p>\n\n\n\n<ul id=\"block-79328951-76a7-41b9-8a1d-5e3b0f1a7f83\" class=\"wp-block-list\">\n<li>Kurmann, A., &amp; Do, T. (2024). Documentary Film Memorialization of Vietnamese Indentured Labour France and New Caledonia: Sighting History. In N.H.C. Nguyen (Ed.),&nbsp;<em>Routledge Handbook of the Vietnamese Diaspora&nbsp;<\/em>(pp. 30-46)<em>.&nbsp;<\/em>Routledge<\/li>\n\n\n\n<li>Do, T., &amp; Nguyen, C. (2023). Linda L\u00ea in Translation:&nbsp;Foreignization and Domestication in the English and Vietnamese Translations of&nbsp;<em>Calomnies.<\/em>&nbsp;In L. Barnes, T. Do, &amp; J. Yeager (Eds.),&nbsp;<em>Linda L\u00ea: In Memoriam<\/em>. L\u2019Esprit cr\u00e9ateur, 63(4), 75- 90.&nbsp;<br><a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fdoi.org%2F10.1353%2Fesp.2023.a919690&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7C3c96ff5e0dec4bd8878308dcd92c4374%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638624031363375637%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=LgIpoPbRTs4c%2Frr%2FowwFkSh7z5b8%2BcI8EcZUoMPefNs%3D&amp;reserved=0\">https:\/\/doi.org\/10.1353\/esp.2023.a919690<\/a><\/li>\n\n\n\n<li>Do, T., Barnes, L., &amp; Yeager, J. (2023).&nbsp;<em>Introduction.&nbsp;<\/em>In L. Barnes, T. Do, &amp; J. Yeager (Eds.),&nbsp;<em>Linda L\u00ea: In Memoriam<\/em>. L\u2019Esprit cr\u00e9ateur, 63(4), 1-7.<br><a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fdoi.org%2F10.1353%2Fesp.2023.a919684&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7C3c96ff5e0dec4bd8878308dcd92c4374%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638624031363400194%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=jQ6ZRBU8HEc%2FNJblice3nmsz6ob2o1hklQHb%2FUBtTfQ%3D&amp;reserved=0\">https:\/\/doi.org\/10.1353\/esp.2023.a919684<\/a><\/li>\n\n\n\n<li>Do, T. &amp; Zhang, D. (2022).&nbsp;<em>Cambodge, me voici<\/em>: trauma, post-m\u00e9moire et construction d\u2019un espace culturel f\u00e9minin dans le th\u00e9\u00e2tre parl\u00e9 de Jean-Baptiste Phou. In E. Kociubi\u0144ska, &amp; J. Niedokos (Eds.),&nbsp;<em>M\u00e9moire(s).&nbsp;<\/em>Qu\u00eates litt\u00e9raires, 12, 223-233.&nbsp;<br><a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fdoi.org%2F10.31743%2Fql.14880&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7C3c96ff5e0dec4bd8878308dcd92c4374%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638624031363415393%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=jKjzHecQuRJe6IkAeGqfDTnjbyYBdBr%2BwJvGrLqqkO8%3D&amp;reserved=0\">https:\/\/doi.org\/10.31743\/ql.14880<\/a><\/li>\n\n\n\n<li>Do, T. &amp; Mackay, C. (2019). Vision afrop\u00e9enne de la cuisine camerounaise dansSoulfood \u00e9quatoriale de L\u00e9onora Miano : genre, m\u00e9moire et construction nationale. In T. Bognia (Ed.),&nbsp;<em>La cuisine camerounaise : mots, pratiques and patrimoine<\/em>&nbsp;(pp. 95-131).&nbsp;L\u2019Harmattan.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Val\u00e9rie Dusaillant-Fernandes<\/summary>\n<p><strong>Organisation d\u2019un atelier<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab&nbsp;<a href=\"https:\/\/apfucc.net\/wp-content\/uploads\/2023\/12\/Atelier-16-Litt-asiatique-sud-est-.pdf\" data-type=\"link\" data-id=\"https:\/\/apfucc.net\/wp-content\/uploads\/2023\/12\/Atelier-16-Litt-asiatique-sud-est-.pdf\">Les litt\u00e9ratures de l\u2019Asie de l\u2019Est et du Sud-Est d\u2019expression fran\u00e7aise du XXIe si\u00e8cle : un \u00e9tat des lieux<\/a>&nbsp;\u00bb &#8211; Atelier 16 \u2013 dans le cadre du colloque annuel de l\u2019APFUCC \u2013 15-19 juin 2024 &#8211; Universit\u00e9 McGill, Montr\u00e9al, Qu\u00e9bec, Canada.<\/li>\n<\/ul>\n\n\n\n<p><strong>Conf\u00e9rences r\u00e9centes<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab&nbsp;Agentivit\u00e9 des personnages et engagement litt\u00e9raire&nbsp;: voix et d\u00e9tours chez Mohamed Mbougar Sarr&nbsp;\u00bb, International Conference \u00ab&nbsp;<a href=\"https:\/\/apela.hypotheses.org\/files\/2023\/05\/Le-labyrinthe-litteraire-de-Mohamed-Mbougar-Sarr.pdf.\" data-type=\"link\" data-id=\"https:\/\/apela.hypotheses.org\/files\/2023\/05\/Le-labyrinthe-litteraire-de-Mohamed-Mbougar-Sarr.pdf.\">Le labyrinthe litt\u00e9raire de Mohamed Mbougar Sarr<\/a>&nbsp;\u00bb, Manheim University, Allemagne. Colloque international organis\u00e9 par Sarah Burnautzki, Abdoulaye Imorou et Cornelia Ruhe, 15-16 mai 2023. Avec la participation de l\u2019auteur.  Un ouvrage collectif est en cours de publication.<\/li>\n\n\n\n<li>\u00ab&nbsp;\u00c9tude des litt\u00e9ratures francophones du Canada et de l&#8217;Afrique&nbsp;: Proposer des ressources p\u00e9dagogiques au personnel enseignant du secondaire en Ontario&nbsp;\u00bb, Conf\u00e9rence&nbsp;virtuelle Diversity, Decolonization, and the French Curriculum (DDFC), 14 novembre 2020, Sam Houston State University et University of Louisiana at Lafayette, USA. Co-pr\u00e9sentatrice&nbsp;: Nicole Nolette (University of Waterloo).<\/li>\n<\/ul>\n\n\n\n<p><strong>Publications<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/brill.com\/display\/title\/70249\" data-type=\"link\" data-id=\"https:\/\/brill.com\/display\/title\/70249\">\u00ab&nbsp;Agentivit\u00e9 des personnages et engagement litt\u00e9raire. Voix et d\u00e9tours chez Mohamed Mbougar Sarr&nbsp;\u00bb,<\/a>&nbsp;<em>Le Labyrinthe litt\u00e9raire de Mohamed Mbougar Sarr<\/em>, Sarah Burnautzki, Abdoulaye Imorou et Cornelia Ruhe (dir.), Brill,&nbsp;Coll.&nbsp;\u00ab&nbsp;Francopolyphonies&nbsp;\u00bb, Vol. 36, 2025, p. 75-97. <\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/2589\" data-type=\"link\" data-id=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/2589\">L\u2019essai pamphl\u00e9taire de Fatou Diome&nbsp;: \u00c9crire le \u00ab&nbsp;je est n\u00f4tre&nbsp;\u00bb face aux attaques contre Marianne<\/a>&nbsp;\u00bb, <em>Voix plurielles<\/em>, Vol. 18, no 1 (2021)&nbsp;: 34-51.&nbsp; <\/li>\n\n\n\n<li>\u00ab&nbsp;Le viol&nbsp;de guerre vu par Koffi Kwahul\u00e9: entre th\u00e9rapie&nbsp;et divertissement&nbsp;\u00bb,in <em>La m\u00e9moire de la blessure au th\u00e9\u00e2tre<\/em>, Isabelle Ligier-Degauque et Anne Teulade (dir.). Presses universitaires de Rennes, 2018, p. 249-264.<\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/1641\" data-type=\"link\" data-id=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/1641\">T\u00e9moignages de la g\u00e9n\u00e9ration post-g\u00e9nocide au Rwanda: Transmission et qu\u00eate&nbsp;dans <em>Un papa de sang<\/em> de Jean Hatzfeld<\/a>&nbsp;\u00bb, <em>Voix plurielles<\/em>, Vol. 14, n<sup>o<\/sup>2 (2017): 62-76.  &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"https:\/\/journals.library.ualberta.ca\/af\/index.php\/af\/article\/view\/29338\" data-type=\"link\" data-id=\"https:\/\/journals.library.ualberta.ca\/af\/index.php\/af\/article\/view\/29338\">Comment r\u00e9sister \u00e0 l\u2019imposture? Des voix engag\u00e9es au c\u0153ur de la tourmente<\/a>&nbsp;\u00bb<em>, Alternative Francophone<\/em>, Issue&nbsp;: <em>Fictions du terrorisme dans l\u2019espace francophone<\/em>, Vol. 2, n<sup>o<\/sup> 1 (2017): 56-74. <\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"http:\/\/archive.sciendo.com\/DIFRA\/difra.2015.21.issue-1\/difra-2015-0006\/difra-2015-0006.pdf\" data-type=\"link\" data-id=\"http:\/\/archive.sciendo.com\/DIFRA\/difra.2015.21.issue-1\/difra-2015-0006\/difra-2015-0006.pdf\">Le r\u00e9cit de survivance de Serge Amisi: modalit\u00e9s d\u2019adaptation textuelle et strat\u00e9gies d\u2019ajustement<\/a>&nbsp;\u00bb, <em>Dialogues francophones<\/em>, Vol. 20-21, n<sup>o<\/sup> 1 (2015): 107-120. <\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"https:\/\/uottawa.scholarsportal.info\/ottawa\/index.php\/revue-%09analyses\/article\/view\/1417\" data-type=\"link\" data-id=\"https:\/\/uottawa.scholarsportal.info\/ottawa\/index.php\/revue-%09analyses\/article\/view\/1417\">Le t\u00e9moignage \u00e9laboratif d\u2019Esther Mujawayo: quand il ne reste que les mots<\/a>&nbsp;\u00bb, @<em>nalyses<\/em>, Vol. 10, n<sup>o<\/sup> 3 (2015): 1-28.<\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"https:\/\/uottawa.scholarsportal.info\/ojs\/index.php\/revue-analyses\/article\/view\/1180\/1038\" data-type=\"link\" data-id=\"https:\/\/uottawa.scholarsportal.info\/ojs\/index.php\/revue-analyses\/article\/view\/1180\/1038\">Difficult\u00e9 de vivre avec&nbsp;\u2018le pass\u00e9 devant soi\u2019: ne pas tomber dans le r\u00e9alisme ordinaire chez Gilbert Gatore\u201d, in \u201c\u00c9critures modernes et contemporaines de la peur et de la r\u00e9sistance&nbsp;<\/a>\u00bb, <em>@nalyses<\/em>, Vol. 9, n<sup>o<\/sup>3 (2014): 43-71.<\/li>\n\n\n\n<li>\u00ab&nbsp;Quand un tremblement de terre secoue l\u2019\u00e9criture : regards crois\u00e9s sur une catastrophe dans <em>Tout bouge autour de moi<\/em> de Dany Laferri\u00e8re et <em>Failles<\/em> de Yanick Lahens&nbsp;\u00bb, in <em>Ha\u00efti apr\u00e8s le tremblement de terre: La forme, le r\u00f4le et le pouvoir de l\u2019\u00e9criture<\/em>, Emmanuelle Vanborre (ed.), New York \/ Bern \/ Frankfurt \/ Berlin\/ Brussels \/ Vienna \/ Oxford \/ Warsaw: Peter Lang, 2014, p. 15-43.<\/li>\n\n\n\n<li>\u00ab&nbsp;Le sort des enfants de la postcolonie: \u00ab&nbsp;Suite africaine&nbsp;\u00bb de L\u00e9onora Miano&nbsp;\u00bb, in <em>L&#8217;\u0153uvre romanesque<\/em> <em>de L\u00e9onora Miano; fiction, m\u00e9moire et enjeux identitaires<\/em>, Alice Delphine Tang (ed.), Paris, L\u2019Harmattan, 2014, p. 29-44.<\/li>\n\n\n\n<li>\u00ab&nbsp;La mission de Scholastique Mukasonga: entretenir le souvenir et faire perdurer la m\u00e9moire des siens&nbsp;\u00bb, in <em>The Unspeakable: Representations of Trauma in Francophone Literature and Art<\/em>, N\u00e9vine El Nossery and Amy Hubbell (eds.), Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2013, p. 97-114.<\/li>\n\n\n\n<li>\u00ab&nbsp;<a href=\"http:\/\/muse.jhu.edu\/journals\/women_in_french_studies\/summary\/v020\/20.dusaillant-fernandes.html\" data-type=\"link\" data-id=\"http:\/\/muse.jhu.edu\/journals\/women_in_french_studies\/summary\/v020\/20.dusaillant-fernandes.html\">Du Vietnam au Qu\u00e9bec&nbsp;: fragmentation textuelle et travail de m\u00e9moire chez Kim Th\u00fay<\/a>&nbsp;\u00bb, W<em>omen in French Studies<\/em>, 20 (2012): 75-89.<br>\u00ab&nbsp;<a href=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/676\" data-type=\"link\" data-id=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/676\">Habiller le v\u00e9cu&nbsp;de mots et d\u2019images: le projet de Kim Th\u00fay<\/a>&nbsp;\u00bb, <em>Voix Plurielles<\/em>, Volume 9, n<sup>o<\/sup> 2, (2012): 164-177. <\/li>\n<\/ul>\n\n\n\n<p><strong>Podcast<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab&nbsp;<a href=\"https:\/\/soundcloud.com\/carffi\/litterature-jeunesse-africaine\" data-type=\"link\" data-id=\"https:\/\/soundcloud.com\/carffi\/litterature-jeunesse-africaine\">Litt\u00e9rature jeunesse africaine<\/a> \u00bb. Entretien avec Phyllis Dalley, professeure titulaire, Directrice et fondatrice du Chantiers d\u2019actions et de recherches pour des Ffrancophonies (CARfFi), Facult\u00e9 d\u2019\u00c9ducation, Universit\u00e9 d\u2019Ottawa, 17 novembre 2023. <\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Morgan Faulkner<\/summary>\n<p><strong>Article r\u00e9cent<\/strong><\/p>\n\n\n\n<ul id=\"block-7e288a37-a520-4fb6-8087-70d07b57e071\" class=\"wp-block-list\">\n<li>\u00ab Lieux fictifs, r\u00e9elles critiques : <em>Kaveena<\/em> de Boubacar Boris Diop \u00bb, <em>Pr\u00e9sence Francophone<\/em>, n\u00b096-97, 2021, p. 173-188.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Bouna Faye<\/summary>\n<p><strong>Chapitres de livre <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bouna Faye, Haby Gueye, \u00ab Pratiques sociales et probl\u00e9matique de l\u2019\u00e9mancipation de la femme dans <em>Une si longue lettre<\/em> de Mariama B\u00e2 \u00bb, dans Louis Mendy, Mariame Wame Ly, Papa Malick Ba et Astou Fall (dir.), <em>Mosa\u00efques des langues et des cultures Afrique \u2013 Cara\u00efbes \u2013 Am\u00e9rique du Nord. M\u00e9langes offerts au professeur Mari\u00e9me Sy<\/em>, Dakar, L\u2019Harmattan-S\u00e9n\u00e9gal, 2021, p. 193-206.<br><\/li>\n\n\n\n<li>\u00ab <em>L\u2019\u00c9ducation sentimentale<\/em> ou l\u2019application du projet d\u2019\u00e9criture d\u2019un \u201clivre sur rien\u201d \u00bb, dans Badreddine Ben Henda (dir.), <em>Il y a deux cents ans, naissait Gustave Flaubert. Actes du colloque international des 6 et 7 avril 2021 \u00e0 la FLAH de Manouba et \u00e0 l\u2019ISSH de Jendouba<\/em>, Tunis, Latrach, 2021, p. 157-174.<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab R\u00e9alit\u00e9s sociales et aventure de l\u2019\u00e9criture dans <em>Une vie<\/em> de Maupassant \u00bb, <em>La revue du centre de recherche et d\u2019\u00e9tudes en litt\u00e9rature et sciences du langage<\/em>, no11, 2021, p. 135-146.<br><\/li>\n\n\n\n<li>\u00ab Flaubert, un \u00e9crivain carrefour \u00bb, <em>Akofena, Revue scientifique des sciences du langage, lettres, langues et communication<\/em>, vol. 2, no3, 2021, p. 57-68.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Raissa Furlanetto Cardoso<\/summary>\n<p><strong>Articles r\u00e9cents <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;La transclasse comme traductrice dans&nbsp;<em>Les Derniers Jours de la classe ouvri\u00e8re<\/em>&nbsp;d\u2019Aur\u00e9lie Filippetti&#8221;,&nbsp;<em>XXI\/XX &#8211; Reconnaissances litt\u00e9raires<\/em>, n. 5, 2024, pp. 129-144.&nbsp;<a href=\"https:\/\/doi.org\/10.48611\/isbn.978-2-406-17540-7.p.0129\">https:\/\/doi.org\/10.48611\/isbn.978-2-406-17540-7.p.0129<\/a><br><\/li>\n\n\n\n<li>&#8220;Les r\u00e9cits de filiation d\u2019Annie Ernaux dans la perspective du&nbsp;<em>care<\/em>&#8220;,&nbsp;<em>French Cultural Studies<\/em>, n. 35, 2024, pp. 100-114.&nbsp;<a href=\"https:\/\/doi.org\/10.1177\/09571558231216930\">https:\/\/doi.org\/10.1177\/09571558231216930<\/a><br><\/li>\n\n\n\n<li>&#8220;Autour du silence du forgeron dans&nbsp;<em>Atelier 62<\/em>&nbsp;de Martine Sonnet&#8221;,&nbsp;<em>Between<\/em>, n. 13, 2023, pp. 69-88.&nbsp;<a href=\"https:\/\/doi.org\/10.13125\/2039-6597\/5713\">https:\/\/doi.org\/10.13125\/2039-6597\/5713<\/a><\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Mathilde Kang<\/summary>\n<p><strong>Monographie<\/strong><\/p>\n\n\n\n<ul id=\"block-9378e3ea-64df-467b-89ea-9e5acb3849e1\" class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/www.aup.nl\/en\/book\/9789462985148\/francophonie-en-orient\">Francophonie en Orient. Aux croisements France-Asie (1840-1940)<\/a><\/em>, Amsterdam, Amsterdam University Press, 2018, 222 p. Traduit en anglais par Martin Munro, PUA, 2018.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Emmanuel K. Kayembe<\/summary>\n<p><strong>Article r\u00e9cent<\/strong><\/p>\n\n\n\n<ul id=\"block-b5ad5a85-49b5-49eb-8a92-850e0b1f858b\" class=\"wp-block-list\">\n<li>\u00ab Violence dionysiaque et posture d\u2019auteur : l\u2019obsc\u00e8ne chez Pius Ngandu Nkashama \u00bb, dans <em>L\u2019Esth\u00e9tique de la violence dans l\u2019\u0153uvre de Pius Ngandu<\/em><em>Nkashama<\/em>, Paris, L\u2019Harmattan, coll. \u00ab Espaces Litt\u00e9raires \u00bb, 2020, p. 81-98.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Lat\u00e9 Lawson-Hellu<\/summary>\n<p><strong>Monographie<\/strong><\/p>\n\n\n\n<ul id=\"block-6716afb1-5770-4bc4-aded-4d3e62dd7c8d\" class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/www.editions-harmattan.fr\/livre-la_modernite_perspective_francophone_et_ecosophique_late_lawson_hellu-9782343214733-68002.html\">La modernit\u00e9 : Perspective francophone et \u00e9cosophique<\/a>, <\/em>Paris, L\u2019Harmattan, 2021, 256 p.<\/li>\n<\/ul>\n\n\n\n<p><strong>Directions et co-directions de revue<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lat\u00e9 Lawson-Hellu (dir.), <em>Recherches francophones<\/em>, \u00ab Litt\u00e9rature francophone et subjectivit\u00e9s: Pour une reconfiguration \u00e9pist\u00e9mologique \u00bb, vol. 1, n\u00b01, 2021, 242 p.<br><\/li>\n\n\n\n<li>Lat\u00e9 Lawson-Hellu (dir.), <a href=\"https:\/\/www.uwo.ca\/french\/grelcef\/cgrelcef_10_numero.htm\" data-type=\"link\" data-id=\"https:\/\/www.uwo.ca\/french\/grelcef\/cgrelcef_10_numero.htm\"><em>Les cahiers du GRELCEF<\/em>, \u00ab Le texte francophone et ses lectures critiques \u00bb, n\u00b010, 2018.<\/a><br><\/li>\n\n\n\n<li>Lat\u00e9 Lawson-Hellu, Fida Dakroub (dir), <a href=\"https:\/\/ojs.lib.uwo.ca\/index.php\/grelcef\/issue\/view\/1114\" data-type=\"link\" data-id=\"https:\/\/ojs.lib.uwo.ca\/index.php\/grelcef\/issue\/view\/1114\"><em>Les cahiers du GRELCEF<\/em>, \u00ab Le fait religieux dans les \u00e9critures et expressions francophone \u00bb<\/a><a href=\"https:\/\/web.archive.org\/web\/20230325233237\/https:\/\/ojs.lib.uwo.ca\/index.php\/grelcef\/issue\/view\/1114\">,<\/a> n\u00b08, 2016. 318 p.<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-8c91e9a6-c831-4daf-bc9c-e70973791154\" class=\"wp-block-list\">\n<li><a href=\"https:\/\/ir.lib.uwo.ca\/grelcef_proceedings\/1\">\u00ab De l\u2019\u00e9rotisme \u00e0 la probl\u00e9matique de l\u2019<em>\u00e9tant<\/em> dans l\u2019\u00e9criture francophone : le paradigme de la transpositionnalit\u00e9 transcendante \u00bb<\/a>, <em>Dire et lire l\u2019\u00e9rotisme dans les productions culturelles francophones<\/em>, actes de la journ\u00e9e d\u2019\u00e9tude du GRELCEF, le 17 novembre 2020, London, Western University, 2020, p. 81-100.<br><\/li>\n\n\n\n<li><a href=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/2607\" data-type=\"link\" data-id=\"https:\/\/journals.library.brocku.ca\/index.php\/voixplurielles\/article\/view\/2607\">\u00ab Perspective postcoloniale, \u00e9criture francophone et r\u00e9ponse critique \u00e0 la crise de la modernit\u00e9-proto-anthropoc\u00e8ne \u00bb<\/a>, <em>Voix Plurielles<\/em>, vol. 17, no2, 2020, p. 151-163.<br><\/li>\n\n\n\n<li>\u00ab Discours et contre-discours de l\u2019exigu\u00eft\u00e9 chez l\u2019\u00e9crivain francophone F\u00e9lix Couchoro \u00bb, dans Guy Poirier, \u00c9lise Lepage, Tara Collington (dir.), <em>Le d\u00e9fi de la fragilit\u00e9. Autour des essais de Fran\u00e7ois Par\u00e9<\/em>, Ottawa, \u00c9ditions David, 2020, p. 303-318.<\/li>\n<\/ul>\n\n\n\n<p><strong>Cr\u00e9ation<\/strong><\/p>\n\n\n\n<ul id=\"block-ef58aaaa-5cce-4b54-a2b7-3ad8fa6da75d\" class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/www.lesimpliques.fr\/livre-des_haikus_pour_une_deesse_poesie_late_lawson_hellu-9782384177523-75512.html\">Des ha\u00efkus pour une d\u00e9esse. Paroles du quotidien et du divin<\/a><\/em>, Paris, Les impliqu\u00e9s, 2022.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Fanny Mahy<\/summary>\n<p><strong>Direction de revue<\/strong><\/p>\n\n\n\n<ul id=\"block-14affe94-3823-4d45-9eda-ef73aa9e2633\" class=\"wp-block-list\">\n<li>Fanny Mahy (dir.), <a href=\"https:\/\/www.uwo.ca\/french\/grelcef\/cgrelcef_09_numero.htm\"><em>Les Cahiers du GRELCEF<\/em>, \u00ab Fantastique, \u00e9trange et merveilleux dans les productions francophones \u00bb, n\u00b09, 2017<\/a><a href=\"https:\/\/web.archive.org\/web\/20230325233237\/https:\/\/www.uwo.ca\/french\/grelcef\/cgrelcef_09_numero.htm\">.<\/a><\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Pierre Ndemby Mamfoumby<\/summary>\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-4ec28389-a3f9-4faa-9413-9cfa78ab643c\" class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.peterlang.com\/document\/1215343\">\u00abL\u2019Ethnologue et le sage : double narratif, \u00e9criture sans champ\u00bb<\/a>, dans <em>Sami Tchak, les voies d\u2019un renouveau<\/em>, Papa Samba Diop (dir.), Bruxelles, Peter Lang, 2022.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Jean-Claude Abada Medjo<\/summary>\n<p><strong>Ouvrage collectif<\/strong><\/p>\n\n\n\n<ul id=\"block-d6825b26-d742-402d-96da-c31c496bf570\" class=\"wp-block-list\">\n<li>Jean-Claude Abada Medjo (dir.), <em><a href=\"https:\/\/www.editions-harmattan.fr\/index.asp?navig=catalogue&amp;obj=livre&amp;no=64347\">\u00c9pist\u00e9mog\u00e9ographies<\/a><\/em>, Paris, L\u2019Harmattan, 2019, 224 p.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Ramona Mielusel<\/summary>\n<p><strong>Monographies <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/brill.com\/display\/title\/39339?format=HC\">Franco-Maghrebi Artists of the 2000s: Transnational Narratives and Identities<\/a><\/em>, Boston, Brill Rodopi, \u201cFrancopolyphinies\u201d, vol. 27, 2019, 217 p.<br><\/li>\n\n\n\n<li><em><a href=\"https:\/\/www.editions-harmattan.fr\/index.asp?navig=catalogue&amp;obj=livre&amp;no=47054\" data-type=\"link\" data-id=\"https:\/\/www.editions-harmattan.fr\/index.asp?navig=catalogue&amp;obj=livre&amp;no=47054\">Langue, espace et (re)composition identitaire dans les \u0153uvres de Mehdi Charef, Tony Gatlif et Farid Boudjellal<\/a><\/em>, Paris, L\u2019Harmattan, coll. \u00ab Approches litt\u00e9raires \u00bb, 2015, 244 p.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mielusel, Ramona. <em>Contemporary Feminist art by women in North Africa: Body talks<\/em>. Blue Ridge Summit: Lexington Books\/Fortress Academic, 2024.<br><\/li>\n<\/ul>\n\n\n\n<p><strong>Ouvrage collectif<\/strong><\/p>\n\n\n\n<ul id=\"block-2da91aea-1b55-4491-98f0-6cc58a0eec5f\" class=\"wp-block-list\">\n<li>Simona Pruteanu et Ramona Mielusel (dir.),<a href=\"https:\/\/web.archive.org\/web\/20230325233237\/https:\/\/link.springer.com\/book\/10.1007\/978-3-030-30158-3\"><\/a><em><a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-030-30158-3\">Citizenship and Belonging in France and North America: Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration<\/a><\/em>,Palgrave Macmillan, 2020, 96 p.&nbsp;<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cRepresenting French Citizenship and Belonging in <em>La Desint\u00e9gration<\/em> (2011) by Philippe Faucon\u201d in <em>Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration<\/em>, New York, Palgrave Mcmillan, 2020, p.77-96.<br><\/li>\n\n\n\n<li>Ramona Mielusel, <a href=\"https:\/\/muse.jhu.edu\/article\/755409\" data-type=\"link\" data-id=\"https:\/\/muse.jhu.edu\/article\/755409\">\u00ab Pour une nouvelle esth\u00e9tique culturelle du Maghreb : l\u2019intersectionnalit\u00e9 chez Zoulikha Bouabdellah \u00bb<\/a>, <em>Expressions maghr\u00e9bines<\/em>. <em>Image, Texte, Son: Esth\u00e9tiques transm\u00e9diales du Maghreb contemporain<\/em>, vol. 19, no1, \u00e9t\u00e9 2020, p. 71-86.<br><\/li>\n\n\n\n<li>Simona E. Pruteanu et Ramona Mielusel, \u201cIntroduction: The Realities of Multicultural Societies\u201d, in Mielusel and Pruteanu (eds.), <em>Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration<\/em>, Palgrave Macmillan, 2020 p. 1-14.<br><\/li>\n\n\n\n<li>Ramon Mielusel, \u00ab&nbsp;L\u2019Habitation de la ville: \u00e9criture de la m\u00e9moire urbaine et recomposition identitaire dans deux textes de R\u00e9gine Robin\u00bb,&nbsp;<em>French Studies<\/em>, 78:1, January 2024: 89-100. (<a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Facademic.oup.com%2Ffs%2Farticle-abstract%2F78%2F1%2F89%2F7334374%3Futm_source%3Detoc%26utm_campaign%3Dfs%26utm_medium%3Demail&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7C8a04005274c34183971408dd7dc32d9c%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638804999444979520%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=NCF%2BJ39kj6gXdj%2BnrnxDMahbHneBKCu8DGcD%2BnEW0q4%3D&amp;reserved=0\">https:\/\/academic.oup.com\/fs\/article-abstract\/78\/1\/89\/7334374?utm_source=etoc&amp;utm_campaign=fs&amp;utm_medium=email<\/a>)<\/li>\n<\/ul>\n\n\n\n<p><strong>Communications <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab Solidarit\u00e9 f\u00e9minine: <em>girlpower<\/em> dans les films fran\u00e7ais contemporains \u00bb, Conseil International d\u2019\u00c9tudes Francophones, Solidarit\u00e9s francophones, Gdansk, Pologne, 8-14 juin 2020. Proposition accept\u00e9e. (\u00c9v\u00e9nement annul\u00e9 en raison de la COVID-19.)<br><\/li>\n\n\n\n<li>\u00ab Remettre les choses en place : vivre la <em>r\u00e9conciliation<\/em> en terre ha\u00eftienne dans <em>Tout bouge autour de moi<\/em> (2010) de Dany Laferri\u00e8re \u00bb, 20th-21st French and Francophone Studies, Lincoln, Nebraska, 26-28 mars 2020. Proposition accept\u00e9e. (\u00c9v\u00e9nement annul\u00e9 en raison de la COVID-19.)<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Hassan Moustir<\/summary>\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-6f52159b-0884-4839-bb7a-efee513f3f54\" class=\"wp-block-list\">\n<li>\u00ab L\u2019\u00e9crivain national : le cas Nedali \u00bb, <em>Interculturel Francophonies<\/em>, \u00ab La litt\u00e9rature marocaine francophone de l\u2019extr\u00eame contemporain. Le roman \u00bb, vol. 1, no41, 2022, p. 27-42.<\/li>\n<\/ul>\n\n\n\n<p><strong>Cr\u00e9ation<\/strong><\/p>\n\n\n\n<ul id=\"block-c312ae97-5b1c-4c96-ae0f-a11a674d8298\" class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.editionsdouro.fr\/boutique\/-p274683980\"><em>Plus longue sera ta vie<\/em><\/a>, Chaumont, \u00c9ditions Douro, 2021, 186 p.<\/li>\n\n\n\n<li>Hassan Moustir,&nbsp;<em>D\u00e9j\u00e0 le monde,&nbsp;<\/em>Paris, l\u2019Harmattan, coll. \u00ab LitArtCie&nbsp;\u00bb, 2025.<br><\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Simona E. Pruteanu<\/summary>\n<p><strong>Ouvrage collectif<\/strong><\/p>\n\n\n\n<ul id=\"block-2201cb8d-8ae6-4b7e-812d-ef6f865d68a9\" class=\"wp-block-list\">\n<li>Simona E. Pruteanu et Ramona Mielusel (dir.),<a href=\"https:\/\/web.archive.org\/web\/20230325233237\/https:\/\/link.springer.com\/book\/10.1007\/978-3-030-30158-3\"><\/a><em><a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-030-30158-3\">Citizenship and Belonging in France and North America: Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration<\/a><\/em>, Palgrave Macmillan, 2020, 96 p.&nbsp;<\/li>\n<\/ul>\n\n\n\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-0191dac1-a1d2-40f6-b1aa-6baa8973eec9\" class=\"wp-block-list\">\n<li>\u00ab \u201cLa litt\u00e9rature de terrain\u201d au service de l\u2019enqu\u00eate sur la figure auctoriale: Malek et moi d\u2019Alain Beaulieu \u00bb, <em>Interc\u00e2mbio : French Studies Journal<\/em>, Universidade do Porto, vol. 15, 2022, p. 137-152.<\/li>\n\n\n\n<li><a href=\"https:\/\/atem-journal.com\/index.php\/ATeM\/article\/view\/4068\/3299\">\u00ab \u201cPo\u00e9tiser son v\u00e9cu\u201d dans les autofictions de Magyd Cherfi et Abd al Malik \u00bb<\/a>, <em>ATem<\/em>, vol. 1, no7, 2022, p. 1-15.<\/li>\n\n\n\n<li>\u00ab Le chronotope cr\u00e9ateur de l\u2019enfance dans les micro-r\u00e9cits de Kim Th\u00fay: pour une esth\u00e9tique de l\u2019\u00e9criture fractale \u00bb, <em>Canadian Review of Comaparative Literature\/ Revue Canadienne de Litt\u00e9rature Compar\u00e9e<\/em>, vol. 48, no4, 2021, p. 496-510.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/17409292.2021.1914390\">\u00ab Suivre le lilas et l\u2019engoulevent d\u2019Am\u00e9rique \u2013 vers une identit\u00e9 transmigrante dans <em>La Route du lilas <\/em>par \u00c9ric Dupont \u00bb<\/a>, <em>Contemporary French and Francophone Studies<\/em>, vol. 25, no3, 2021, p. 296-304.<\/li>\n\n\n\n<li>\u00ab Ma patrie, c\u2019est la langue fran\u00e7aise mais j\u2019erre sans papiers : la France vue de loin dans la B.D. et le roman graphique \u00bb, dans Carmela Colella, Tamara El-Hoss, and Catherine Parayre (dir.), <em>Im\/migrant Passages: Crossing Visual, Spatial and Textual Boundaries\u2013 Im\/migrations : Passages visuels, spatiaux et textuels<\/em>, Sainte Catharines, Small Walker Press, 2020, p. 80-90.<\/li>\n\n\n\n<li>\u201cFraming the Immigration Discourse and Drawing the Citizen: Concrete Representations of the \u2018Migration Crisis\u2019 in Comics Journalism\u201d, in Mielusel and Pruteanu (eds.), <em>Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration<\/em>, Palgrave Macmillan, 2020, p. 217-233.<\/li>\n\n\n\n<li><a href=\"https:\/\/journal.lib.uoguelph.ca\/index.php\/nrsc\/article\/view\/5351\">\u00ab Les <em>biofictions <\/em>\u00e0 l\u2019\u00e8re du num\u00e9rique : les hypertextes d\u2019Alain Farah et d\u2019Alain Beaulieu \u00bb<\/a>, <em>Nouvelle Revue Synergies Canada<\/em>, \u00ab Objets de l\u2019\u00e9crivain: images, usages, repr\u00e9sentations depuis le XIXe si\u00e8cle \u00e0 nos jours \u00bb, no13, 2020.<\/li>\n\n\n\n<li>Simona E. Pruteanu et Ramona Mielusel, \u201cIntroduction: The Realities of Multicultural Societies\u201d, in Mielusel and Pruteanu (eds.), <em>Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration<\/em>, Palgrave Macmillan, 2020 p. 1-14.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Alexandra Roch<\/summary>\n<p><strong>Ouvrage collectif<\/strong><\/p>\n\n\n\n<ul id=\"block-67e9b4cf-5aca-44f4-9e46-278a66b29e69\" class=\"wp-block-list\">\n<li>Alexandra Roch (dir.), <em><a href=\"https:\/\/www.editions-harmattan.fr\/livre-eclats_de_voix_eclats_de_mots_de_jeunes_martiniquais_ecrivent_alexandra_roch-9782343256450-72702.html\">\u00c9clats de voix, \u00e9clats de mots. De jeunes Martiniquais \u00e9crivent<\/a><\/em>, Paris, L\u2019Harmattan, 2022, 138 p.<\/li>\n<\/ul>\n\n\n\n<p><strong>Direction de revue<\/strong><\/p>\n\n\n\n<ul id=\"block-ae664768-25b0-4139-b868-50d9847aca74\" class=\"wp-block-list\">\n<li>Alexandra Roch (dir.), <em>Recherches Francophones<\/em>, <a href=\"https:\/\/recherchesfrancophones.library.mcgill.ca\/issue\/view\/34\">\u00abL\u2019expression du marronnage dans la Cara\u00efbe aux 20<sup>e<\/sup> et 21<sup>e<\/sup> si\u00e8cles\u00bb<\/a>, vol. 2, no1, 2022, 145 p.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Amidou Sanogo<\/summary>\n<p><strong>Co-direction de revue<\/strong><\/p>\n\n\n\n<ul id=\"block-f8436171-a7e9-4590-b948-b292a1914d87\" class=\"wp-block-list\">\n<li>Hafidah Bencherif, Amidou Sanogo, <em><a href=\"https:\/\/web.archive.org\/web\/20231114082108\/https:\/\/ir.lib.uwo.ca\/grelcef_proceedings\/1\">Dire et lire l\u2019\u00e9rotisme dans les productions culturelles francophones<\/a><\/em>. Actes de la journ\u00e9e d\u2019\u00e9tude du GRELCEF, Western University, le 17 novembre 2017, London, Western University, 2020<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Roland Scheiff<\/summary>\n<p><strong>Articles r\u00e9cents <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab \u00c9rasme Raway \u00bb, <em>Nouvelle Biographie nationale<\/em>, Bruxelles, Acad\u00e9mie royale de Belgique, 2020, T. 15, p. 303-304.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00ab <em>Des Boh\u00e9miens et de leur musique en Hongrie<\/em> : une tentative avort\u00e9e de justification d\u2019une \u00e9cole nationale de musique hongroise \u00bb, <em>\u00c9tudes francophones<\/em>, vol. 3, 2020, p. 80-90.<\/li>\n<\/ul>\n\n\n\n<p><strong>Communication<\/strong><\/p>\n\n\n\n<ul id=\"block-2b18e9ee-430d-4426-b710-e89b22943d84\" class=\"wp-block-list\">\n<li>\u00ab Gen\u00e8se d\u2019un panth\u00e9on musical \u201cbelge\u201d par Fran\u00e7ois-Joseph F\u00e9tis (1784-1871) \u00bb, conf\u00e9rence \u00e0 l\u2019Universit\u00e9 catholique de Louvain (UCL). Mars 2020.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Serigne Seye<\/summary>\n<p><strong>Article r\u00e9cent<\/strong><\/p>\n\n\n\n<ul id=\"block-f8ef500e-c8b6-461d-9b7d-c1426ac99ad3\" class=\"wp-block-list\">\n<li>&nbsp;\u00ab Combat esth\u00e9tique et m\u00e9moire militante : le double engagement de Boubacar Boris Diop \u00bb, <em>Pr\u00e9sence Francophone<\/em>, n\u00b096-97, 2021, p. 144-158.&nbsp;<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Vincent Simedoh<\/summary>\n<p><strong>Articles r\u00e9cents<\/strong><\/p>\n\n\n\n<ul id=\"block-572376d0-4edb-4374-adf9-bac0c96dd54f\" class=\"wp-block-list\">\n<li>\u00ab Corps, jouissance et h\u00e9t\u00e9rotopie des possibles chez Calixte Beyala, Ken Bugul et Sami Tchak \u00bb, dans <em><a href=\"https:\/\/classiques-garnier.com\/africana-figures-de-femmes-et-formes-de-pouvoir.html\">Africana. Figures de femmes et formes de pouvoir<\/a><\/em>, Christine Le Quellec Cottier et Val\u00e9rie Cossy (dir.), Paris, Classiques Garnier, coll. \u00ab Rencontres \u00bb, no 539, 2022, p. 85-100.<br><\/li>\n\n\n\n<li><a href=\"https:\/\/www.erudit.org\/fr\/revues\/rum\/2018-v49-n2-rum05319\/\" data-type=\"link\" data-id=\"https:\/\/www.erudit.org\/fr\/revues\/rum\/2018-v49-n2-rum05319\/\">\u00ab Francophonie : de l\u2019inconnu et de l\u2019incertain, La francophonie \u00bb<\/a>, <em>Revue de l\u2019Universit\u00e9 de Moncton,<\/em> vol. 49, no 2, 2018, p. 1-3.<br><\/li>\n\n\n\n<li><a href=\"https:\/\/www.erudit.org\/fr\/revues\/rum\/2018-v49-n2-rum05319\/1069745ar\/\" data-type=\"link\" data-id=\"https:\/\/www.erudit.org\/fr\/revues\/rum\/2018-v49-n2-rum05319\/1069745ar\/\">\u00ab R\u00e9appropriation, int\u00e9riorit\u00e9 et refondation des imaginaires en francophonie \u00bb<\/a>, <em>Revue de l\u2019Universit\u00e9 de Moncton, <\/em>vol. 49, no 2, 2018, p. 89-102.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Martin Soumba\u00ef<\/summary>\n<p><strong>Articles r\u00e9cents  : <\/strong><\/p>\n\n\n\n<p>\u201dLe visiteur chez l&#8217;artiste et l&#8217;effet de vie dans <em>Ma seule \u00e9toile est morte<\/em>, d&#8217;\u00c9tienne Barilier&#8221; publi\u00e9 en d\u00e9cembre 2022 dans RIAA 6 sur le site de l&#8217;effet de vie&nbsp;<a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.effet-de-vie.org%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7C10dd5395a87c48065dc308dc0ebe3f93%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638401457772387503%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C62000%7C%7C%7C&amp;sdata=wD472BWFuJiwH%2FRERLK6wScepiU7%2BGvLGzNYVAKEBpo%3D&amp;reserved=0\">www.effet-de-vie.org<\/a>&nbsp;<\/p>\n\n\n\n<p>&#8220;Les impatientes, les arts po\u00e9tiques et l&#8217;effet de vie dans le prix Goncourt des lyc\u00e9ens 2020: <em>Les Impatientes<\/em> de Dja\u00efli Amadou Amal&#8221; publi\u00e9 en 2024 dans RIAA 7 sur le site de l&#8217;effet de vie&nbsp;<a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.effet-de-vie.org%2F&amp;data=05%7C02%7Clili-rose.bellon%40mail.mcgill.ca%7C8fe96ca7017149cebfe508dcead3a6d8%7Ccd31967152e74a68afa9fcf8f89f09ea%7C0%7C0%7C638643442074289973%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=M7viq5LLylRUa1J2C56cbESwge%2BGALHvnyCSv9jrFDw%3D&amp;reserved=0\">www.effet-de-vie.org<\/a>.&nbsp;<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Adama Togola<\/summary>\n<p><strong>Monographie<\/strong><\/p>\n\n\n\n<ul id=\"block-6bdb87e9-d10d-46b0-b5e4-9a1fedd19d7e\" class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/www.cultura.com\/p-poetique-et-savoirs-du-polar-d-afrique-francophone-9782343208541.html\">Po\u00e9tique et savoirs du polar d\u2019Afrique francophone<\/a><\/em>, Paris, L\u2019Harmattan, 2021, 264 p.<\/li>\n<\/ul>\n<\/details>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-66","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/posts\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":38,"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/posts\/66\/revisions"}],"predecessor-version":[{"id":246,"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/posts\/66\/revisions\/246"}],"wp:attachment":[{"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/categories?post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aielcef.ca\/index.php\/wp-json\/wp\/v2\/tags?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}